Sculptures on View in Feats of Clay and MONCA The Playful Spirit

Sculptures on View in Feats of Clay and MONCA The Playful Spirit

Diana Greenleaf’s sculpture, “Flying is a Stretch” can be seen through July 7 at the Lincoln Art Center, Lincoln CA. Her work is among the 50 selected from over 250 submissions. “Aquatic Canines” is displayed July 12 – September 1 at MONCA, Museum of Northern California Artists, Chico, CA. “The Playful Spirit “ show cases Northern California artists’ “most whimsical and imaginative work, evoking a sense of wonder and play”. Opening reception, July 12, 6-8pm.

By |2024-06-25T11:29:32-07:00June 25th, 2024|ACGA News|Comments Off on Sculptures on View in Feats of Clay and MONCA The Playful Spirit

Chew on That!

A series of ceramic wall works by Linda Fitz Gibbon is currently on view at the Yolo Branch Public Library, through July 27th. A closing reception will be held on 7/27 from 12:30 to 2 pm. Inspiration comes from the bountiful produce found in the Central Valley. Library address: 37750 Sacramento Street, Yolo, CA 95697. Yolo Branch Library Hours

By |2024-06-22T20:10:02-07:00June 22nd, 2024|ACGA News|Comments Off on Chew on That!

ACGA Board Meeting Minutes – May 2024

ACGA Board Meeting Minutes

May 20, 2024, 5-15pm-6:45pm, via Zoom

Present: Mari Emori, April Zilber, Sally Jackson (recorder), Julie Taber, Lee Middleman, Iver Hennig, Vicki Gunter, Susie Rubenstein, Barbara Prodaniuk, Scott Jennings, Emil Yanos, Ren Lee, Jan Schachter, Tamara Danoyan, Sonja Hinrichsen.   Absent: Chris Johnson, Trudy Chiddix, Cheryl Costantini.   Guests: Ruth Ehrenkrantz, Rebecca Love, Victoria Buck

The meeting began at 5:15pm.

 

Welcome (Mari)

Mari introduced and welcomed two newly juried festival artists, Rebecca Love and Ruth Ehrenkrantz.  Sally introduced Victoria Buck, who teaches ceramics at Gunn High School in Palo Alto.

 

Revised Budget Approval (Julie)

Julie presented a revised 2024 Budget that reflects Board-approved changes since the budget approval in January, and minor changes resulting from our recent transition to using QuickBooks for bookkeeping.  The Board voted in favor of accepting the revised budget (13 yes, 0 no, 2 not yet present)

Financial Report (Julie)

Our current bank balance is $128,814.  An additional $6000 is held in PayPal.  Upcoming expenses will be related to the festival.  We expect that festival income in July will offset these expenses and likely provide a small profit.

Festival Update (April)

Booth Space: Seventeen new festival-eligible artists were accepted by our recent jury.  Depending on how many of them apply for the festival, we may need to start a waiting list for booth space.  Mari agreed with April to stop accepting double-booth requests, put them on a waiting list, and prioritize the newly juried artists. She also suggested that if spaces are available as the festival approaches, then offer double booths or two single booths to those on the waiting list who wish to purchase them.

Alcohol Sales: If we want to sell beer and wine at the festival, we have to apply for a license and purchase alcohol liability insurance.  The vendor pouring the alcohol would also need insurance.  The applications might take a while to process and the insurance would be a significant added expense.  After much discussion, the Board agreed that even though we’re in favor of this idea, we should wait until next year to organize alcohol sales properly at the festival.

Pottery Throwdown Proposal: Miki Shim-Rutter is looking into the possibility of having several wheels available for short “throwdown” competitions during the festival.  Ren recommends a “hands-free” competition.

Media & Publicity: April and Ren are working with our new media consultant, Mega Jewell, to distribute ads and publicity for the festival.  Emil is designing the advertisements.

Flags & Kiosks: We have permission to mount flags and kiosks at the festival.

Meetings: Mari requested that the Festival Committee meet more regularly in order to work through most decisions ahead of our Board meetings.

Proposed Website Changes (Susie)

Susie has found many aspects of our ACGA website that are out-of-date or in need of editing.  For example, our Privacy Policy needs to be rewritten and our History section needs to be updated and improved with photos.  The videos vary greatly in terms of relevance, organization, and interest.  The Board acknowledged the need to edit the website. Susie will continue working with Pam Carpenter on this. Ren mentioned that she has requested videos from our artists many times in the past, but has had little response. We discussed the possibility of having someone making short videos with artist interviews during the festival.

Exhibitions: NY2CA Update (Vicki)

Regarding the ACGA show at NY2CA Gallery in Benicia in 2025, Vicki noted that the gallery has hired Suzanne Long to install the show.  Two jurors have been chosen: Lisa Reinertson will choose the clay entries and Demetra Theofanous will choose glass.  UPS in Benicia will allow accepted artists to ship their work there.  Mari requested that the entire Exhibition Committee and Ren meet periodically to discuss the challenges of planning future exhibitions as a team before our Board meetings.  Tamara expressed interest in joining these meetings.

 

Membership Committee Report (Emil)

The membership committee is still working to come up with an unequivocal definition of Collaborative Membership.  When this task is completed, an explanation will go out to the membership, both in a members-only newsletter and a post to the GoogleGroup.  Existing Collaborative Members will retain that designation even when the new definition is posted.

 

ACGA Presentation at the Pacific Art League (Tamara)

A friend of Tamara’s at the Pacific Art League has invited us to make a presentation about the organization and the festival sometime before the festival.  Tamara and Jan will work on this and find a date that works.

The meeting adjourned at 7:05pm.

 

Next Meeting: Monday, June 17, 2024

5:15-6:45pm, via Zoom

 

 

By |2024-06-08T08:02:34-07:00June 8th, 2024|ACGA News|Comments Off on ACGA Board Meeting Minutes – May 2024

New at the 2024 Festival: Cobb Mountain Art and Ecology Project

We are thrilled that this year, the ACGA Clay & Glass Festival will feature the Cobb Mountain Art & Ecology Project and its resident artists! Directed by Scott Parady and located Lake County, CA, Cobb Mountain offers studios, wood-firings, and living spaces for resident artists dedicated to ceramics.

These talented artists fire their pieces using three types of wood-burning kilns. The wood comes from trees responsibly thinned to promote forest health. This sustainable approach not only creates stunning ceramics but also supports ecological balance.

Having Cobb Mountain Art & Ecology Project join our festival brings a dynamic new community of clay artists into the mix. Participation in our festival provides Scott and the resident artists with an opportunity to promote the program and sell their beautiful wood-fired creations. We hope this inaugural participation will be a resounding success.

Don’t miss the chance to visit their booth #29, meet these incredible artists, and explore their unique and beautiful work.

For more information about their project and residency program, visit Cobb Mountain Art & Ecology Project.

See you at the festival!

Sincerely,

Mari Emori, ACGA President, and the Board of Directors

By |2024-06-07T17:08:23-07:00June 7th, 2024|ACGA News|Comments Off on New at the 2024 Festival: Cobb Mountain Art and Ecology Project

Lee Middleman’s WELCOME SUMMER Open Studio

Lee Middleman will be hosting a WELCOME SUMMER Open Studio in Portola Valley on Saturday and Sunday, June 8 & 9, 2024 from 10am to 5pm. The Open Studio takes place at Lee’s studio and gallery at 16 Coalmine View, Portola Valley.

Lee will be presenting his recent work using crater-like glazes that he developed recently. He will of course be displaying his “classic” pieces as well. There will be a limited selection of woodfired pieces that he created recently in Aomori, Japan. Come visit.

Lee’s gallery is also open by appointment. Just call Lee at 650-851-0295

Lee Middleman is on Instagram

By |2024-05-23T16:29:10-07:00May 23rd, 2024|ACGA News|Comments Off on Lee Middleman’s WELCOME SUMMER Open Studio

ACGA Board Meeting Minutes: April 2024

ACGA Board Meeting Minutes

Monday, April 15th, 2024 via Zoom

 

Present: Mari Emori, Chris Johnson, April Zilber, Tamara Danoyan (recorder), Vicki Gunter, Barbara Prodaniuk, Emil Yanos, Julie Taber, Susie Rubenstein, Jan Schachter, Sonja Hinrichsen, Scott Jennings, Iver Hennig, Trudy Chiddix, Scott Jennings, Cheryl Costantini (15). Absent:  Sally Jackson, Ren Lee, Lee Middleman (3).

The meeting began at 5:15pm

Welcome (Mari)

Refocus on “Meet Your Board Member” (Mari)

Mari followed up on the “Meet Your Board Member” email that she sent to Board members on April 14. The newsletter is becoming long, and Mari proposed guidelines to keep this particular section shorter.  Other suggestions to make the newsletter more navigable included having a table of contents or headlines that could serve as links to full articles. April said it could be done in Mailchimp as long as the full article was loaded. It doesn’t work well trying to connect to our website.  This discussion will continue when Ren, our newsletter editor, is present.

Exhibitions

Benicia (Vicki)

Vicki is working with NY2CA Gallery in Benicia to schedule an ACGA show in September 2025.  Although one of NY2CA’s owners passed away recently, the remaining owner will continue to run the gallery.

Santa Cruz (Iver)

We have passed on the opportunity to have a show at MK Contemporary in Santa Cruz because of the cost.  Iver is now pursuing a possible show at the Santa Cruz Museum of Art and History.

Festival Report (April)

We have space for 132 booths at the festival.  To date, 112 artists have signed up; 7 have asked for double booths. Thus 119 booths have been assigned, and more artists will likely apply after the next jury results are in. We’re waiting to hear from the city of Palo Alto about using water taps to refill water bottles even if the irrigation system is turned off. Joe Battiato is organizing the demos again and would like to hear from anyone interested. We may also invite the community groups to give demos.  Jan suggested that we have a Give-Away Table where people can donate or browse for clay/glass tools, books, and magazines. April will discuss placement with Annie. This table will not be staffed.

April proposed ways to spend extra money in the festival budget. Her list included redesigning the two banners for the Art Center and Mitchell Park, and purchasing six feather flags and three information kiosks.  We’ll need permission from the city to mount the feather flags. April asked for the board’s permission to spend the money and to choose between spending $1770 (overpass banners and 3 info kiosks) or $2720 (overpass banners, 3 kiosks, feather flags, and banners for Mitchell Park and Palo Alto Art Center). Those present voted 14-1 in favor of spending the larger amount.

The banners will be mounted 2-3 weeks before the festival.

April shared the pictures of the information kiosks, which will need to be staffed.  Staff will include festival participants on volunteer shifts, and possibly ACGA members who are not doing the show but would like to help out.

Clay for All will again be part of the festival, with two paid staff as well as volunteers on the busier shifts.  The staff and volunteers will be expected to engage with the public, offering advice and guidance.

Festival Jury Update (Chris)

The jury deadline was extended to April 10th and 32 artists applied.  The six jury members had their first meeting on April 14 and will meet again on April 24.

Festival Eligibility & Artists Adding Collaborators or Partners (Mari)

We’ve had inquiries from festival artists about the status of their membership if they want to sell work made in part or entirely by a partner who has not juried in.  This motivated the Membership Committee to work out a policy that we can apply to all situations of this sort.  After much discussion, the Membership Committee agreed that partners in this situation have three options:

1) The festival artist can continue as an Individual member, and may sell pieces that are collaborative, as long as they are less than half of the artwork in the booth. The partner cannot sell his/her own work.

2) The festival artist and the partner can jury into the festival together as Collaborative members.

3) The partner can jury into the festival as an Individual member, and the two artists can share a booth.

The Membership Committee will continue to work on guidelines and a succinct definition of collaborative relationships. Board members urged that the definition should be robust enough to include many different types of collaboration.

Financial Report (Julie)

As of March 31, our assets are $144,355. We‘re currently at 30% of our income budget for the year. We are also under 8% of the expenses. These numbers will change a lot after the festival.  Julie is getting everything into the QuickBooks account as we complete the shift from a paid bookkeeper to the Treasurer doing the monthly bookkeeping in Quickbooks.  April and Julie asked the Board to approve getting an ACGA credit card for our Bank of America account. April will use it for the festival and Julie for the general treasury. There would be no annual fee, and the balance will be paid every month without incurring interest.  The credit card proposal was approved unanimously (15 yea, 0 nay).

ACGA Zoom Account Access & Policy (Mari)

The Board agreed to give the Exhibitions Committee access to our Zoom account.  Mari asked everyone to keep the account info safe. Julie noted that we should let everyone know that if they are not hosting the meeting, they should be using their personal Zoom account to log in for meetings.

The meeting adjourned at 6:45 p.m.

Next Meeting: Monday, May 20, 5:15-6:45 p.m., via Zoom

 

By |2024-05-06T12:53:35-07:00May 6th, 2024|ACGA News|Comments Off on ACGA Board Meeting Minutes: April 2024

New Member Ruth Ehrenkrantz

I have always been a maker.  In 2016 I reconnected with clay and in 2021 took a one-day workshop on naked raku, there I found my new direction.

I make decorative vases and vessels with lids.  Naked raku embeds carbon in the surface of the pot. Patterns are created by how the fragile slip, applied to the piece, cracks in the firing. The process is a dance with uncertainty. I play with form and carbon patterning with that uncertainty.

My working life has been varied: art management opportunities including being the Resident Director of an artist colony.  I trained as a landscape architect and worked as an environmental planner for a number of years. For an article about my ceramic life click here.

By |2024-05-06T12:53:16-07:00May 6th, 2024|ACGA News|Comments Off on New Member Ruth Ehrenkrantz

OFF CENTER – An International Ceramics Competition

Blue Line Arts  405 Vernon Street, Suite #100, Roseville, CA 95678 

April 6 – May 18, 2024
RECEPTION:
Saturday, April 20, 2024: 4-8pm

Image: “It’s Okay To Be A Wild Flower”
Ceramic, Bronze, Rhinestones, Nails . 41 X 25 X 4 in
Juror: Heidi McKenzie

By |2024-04-29T13:51:06-07:00April 29th, 2024|ACGA News|Comments Off on OFF CENTER – An International Ceramics Competition

ACGA Board Meeting Minutes (March 2024)

ACGA Board Meeting Minutes

Monday, March 18, 2024 via Zoom

Present: Mari Emori, Chris Johnson, April Zilber, Sally Jackson (recorder), Vicki Gunter, Barbara Prodaniuk, Emil Yanos, Ren Lee, Tamara Danoyan, Julie Taber, Susie Rubenstein, Jan Schachter, Sonja Hinrichsen, Scott Jennings, Iver Hennig, Lee Middleman   Absent:  Trudy Chiddix, Cheryl Costantini   Guest: Guangzhen “Po” Zhou

The meeting began at 5:15 pm.

 

Welcome (Mari)

Several board members have received phishing emails that appear to be from Mari, but are actually scams.  Check the email address carefully; do not respond if the address is not Mari’s usual email.

Mari has asked Susie to be our website liaison, replacing Emil, who is now working on graphics and other projects.  Send your website questions to Susie.

International Ambassador Candidates (Mari)

Longtime ACGA members Lee Middleman and Guangzhen Zhou spoke about their enthusiasm for traveling, meeting, and working with other ceramic artists around the world. They are active members of the International Academy of Ceramics (IAC) and both expressed their willingness to serve as international ambassadors. This role was filled for many years by ACGA member Barbara Brown. The Board passed a motion to appoint Lee and Guangzhen as International Ambassadors (ayes: 15, abstain: 1). They will continue Barbara Brown’s legacy of inviting and hosting international artists here and arranging visits, exchanges, and events in other countries.

Exhibitions Report

Santa Cruz: Iver continues to explore exhibition opportunities in Santa Cruz.  Plans for a show this year at MK Contemporary are currently on hold as we consider timing and budget considerations. Iver is looking into possibilities at other galleries. He and Jan are also working on a proposal for a show two years from now at the Santa Cruz Museum of Art and History.

Fresno: Ren reported that the October show in Fresno will be announced soon via a call for entries.  The call will be open to members of ACGA, the San Joaquin Clay & Glass Association, and members of Clay Hand Studios, which is hosting the exhibition.

Treasurer’s Report (Julie)

Presentation of February Financial Package: Total assets as of February 29 were $140,027.  An unusually large portion is in our PayPal account because of incoming festival booth fees.

Un-Budgeted Expenses: Julie proposed that unbudgeted expenses over $1000 should be approved by the Board before the money could be spent. After discussing the dollar amount, the Board voted unanimously that unbudgeted expenses of $500 or more require prior approval via Board Member vote (ayes: 16).

Moving Funds from one Institution to Another: Julie asked for the Board to require her to get Board approval to (1) transfer funds of $2500 or more between banking institutions where ACGA has accounts, and (2) make a one-time transfer of $28,000 from PayPal to our Bank of America accounts. Both motions passed unanimously (ayes: 16).

Request to purchase Quickbooks Online: Julie proposed that ACGA purchase Quickbooks Online to facilitate bookkeeping. A motion to do so passed unanimously (ayes: 16)

Proposal for Bookkeeper & Stipend for General Treasurer & Festival Treasurer (Mari)

            Mari proposed that it would be more cost-effective if Julie takes over as bookkeeper, rather than paying an outside bookkeeper each month. She also proposed paying Julie $300/month as General Treasurer/Bookkeeper, paying April $220/month for 8 months annually as Festival Treasurer, and paying $940/year for Quickbooks Online. Julie and April were in a breakout room during the discussion, and the Board agreed with and approved Mari’s proposals (ayes 14, abstentions 2 (April and Julie)).

 

Festival Update (April)

To date, 110 artists have signed up for the festival. April is confident that eventually we’ll have around 120 artists in total. She is working on a few hiccups with PayPal booth fee payments and GoogleDrive photo uploads.  She is seeking a new publicist/media consultant, as Kathy Maag has recently bowed out.  April is also gathering data on what combination of kiosks, banners, and other signage we can afford to add to the festival this year.

 

The meeting adjourned at 6:48 pm.

Date of Next Meeting: Monday, April 15, 2024, 5:15pm via Zoom

By |2024-04-09T19:03:09-07:00April 9th, 2024|ACGA News|Comments Off on ACGA Board Meeting Minutes (March 2024)

(a) wake: a stream of ideas

(a) wake:  a stream of ideas

Select work by Emil Yanos

Now through April 27, 2024

O’Hanlon Center for the Arts

616 Throckmorton Avenue, Mill Valley, CA

 

The collection I’m showing here contains work that spans approximately 30 years—the time I’ve been exploring and working in ceramics.  This body of work represents multiple levels in my own personal development.  It is connected by interwoven design motifs, processes, and the evolution of ideas.  I’ve chosen these pieces to reference the varied common themes that I have explored, which are brought together by inspiration, energy, technique, and color.

By |2024-04-09T11:13:28-07:00April 9th, 2024|ACGA News|Comments Off on (a) wake: a stream of ideas

Mari Emori Wins Solo Show Award at Blue Line Arts

Blue Line Arts, based in Roseville, California, hosted its annual fundraising exhibition and event, Lottery for the Arts, in March. Mari Emori’s ceramic sculpture, “Silent Plea,” was awarded the Solo Show Award by juror Kelly Lindner, Art Galleries and Collections Curator at CSU Sacramento. This will be Mari’s first solo show, scheduled for 2025. Stay tuned! @bluelinearts
 
“Silent Plea” 
16″H x 10″W x 10″D
2023

“My Water Drop Series symbolizes life and our symbiotic relationship with our environment. It embodies our profound reliance on water, both physically and spiritually. Drawing inspiration from the urgent challenges of global warming and other human provoked environmental crises, Silent Plea depicts a desiccated teardrop from Mother Nature, urging us to be responsible stewards of our environment.”

—Mari Emori @emoriceramics

By |2024-04-07T16:50:01-07:00April 7th, 2024|ACGA News|Comments Off on Mari Emori Wins Solo Show Award at Blue Line Arts

Lee Middleman’s Spring Open Studio

Lee will be hosting his annual Spring Open Studio in Portola Valley on Saturday and Sunday, May 4 & 5, 2024 from 10am to 5pm. The Open Studio takes place at Lee’s studio and gallery at 16 Coalmine View, Portola Valley.

Lee will be presenting his recent work using crater-like glazes that he developed recently. He will of course be displaying his “classic” pieces as well. Come visit.

Lee’s gallery is also open by appointment. Just call Lee at 650-851-0295

By |2024-03-29T10:49:40-07:00March 29th, 2024|ACGA News|Comments Off on Lee Middleman’s Spring Open Studio

Feats of Clay

CALL TO ARTISTS
“Feats of Clay 2024 Regional Competition”

SUBMISSION DETAILS

The Art League of Lincoln is rekindling the FEATS OF CLAY Art Show and Competition in West Placer County, CA. The show legacy celebrates the rich history in clay competitions and was formerly held at Gladding McBean Clay Manufacturing Company in Lincoln, CA. The 2024 Feats of Clay Competition will be a regional competition, with hopes to expand in future years. The Feats of Clay 2024 Regional ceramic competition will be showcased at the 580 Sixth St. Lincoln California art gallery location inside a replica bee hive kiln from June 13 to July 7, 2024.

We are delighted to have renowned ceramicist and ACGA Member Linda Fitz Gibbon jurying our exhibit. Born in New York, Fitz Gibbon has lived over 30 years in Northern CA. Artist residencies include Anderson Ranch Art Center and Vermont Studio Center. A dedicated community arts educator, Fitz Gibbon is an Art Professor at Cosumnes River College, Sacramento and also serves as Teaching Artist in Yolo County K-12 schools. Her work is in the collection of five museums.

All artwork submitted must be gallery ready to install, and if wall art, inclusive of integral wire installed for hanging. Work that is not for sale may be submitted. The Art League will provide pedestals.

There will be $5,000 in cash prizes awarded for 1st, 2nd, and 3rd place winners, Honorable Mentions, a People’s Choice Award and multiple merit and purchase awards.

Up to three pieces of artwork may be submitted for consideration. Entry fee is $40 for up to 3 pieces. Members receive a 70/30 commission split (70% to the artist), and Non-Members receive 60/40 (60% to the artist).

TIMELINE OF EXHIBIT

  • ENTRY DEADLINE: Entry application and payment must be received by Saturday, June 1st.
  • NOTIFICATION OF ACCEPTED ART: Artists will be emailed acceptance notices no later than June 6th.
  • ART DELIVERY: All artwork must be submitted in person on Sunday, June 9th 12pm-3pm orMonday June 10th between 12:00–3:00 p.m. to The Art League of Lincoln, 580 Sixth Street, Lincoln, CA 95648.
  • EXHIBIT DATES: The show will be on exhibit at the June 13th – July 7th at the 6th Street Gallery inside the Art Center at 580 Sixth Street, Lincoln, CA, 95648. The Art League is open Thursday- Sunday 11:00am-3:00p
  • RECEPTION: Friday June 14th from 7:00-8:30pm (VIP First look preview June 14th from 6:00- 7:00pm)
  • AWARDS: $5,000 in cash prizes will be awarded, including 1st, 2nd, 3rd, Honorable Mentions, People’s Choice, and multiple purchase and merit awards.
  • PICK UP ART: Artwork may be picked up from 3pm-5pm on Sunday July 7th or on Monday, July 8th from 3:00 to 6:00 p.m.Art League of Lincoln requests that if you are unable to pick up your artwork during the allotted times, that you make arrangements to have it picked up for you.

    Call to Artists Art League of Lincoln 
    Apply Here

By |2024-03-29T10:05:59-07:00March 29th, 2024|ACGA News|Comments Off on Feats of Clay

Off Center 2024 – An International Ceramics Competition

 It’s Okay To Be A Wild Flower —  New Era Series

All people who identify as women should be able to love and celebrate whomever brings out their joyous wild side. 

This sculpture is also literally about our California wildflowers. In this case a native Wild Iris is in the womb, protected and embraced. Our wild plants, animals and we, are an interdependent web of wildlife. 

I began this piece as an older woman’s wild celebration, of still loving life, sex, family and creating art. And, I saw it as a defiant gesture! While working on this piece Roe v. Wade was being challenged! And then, I was personally challenged by a potential uterine cancer scare. So, the piece became therapeutic. No, I don’t have uterine cancer. Again, it became a celebration, but sober, thinking of all the loved ones who haven’t been so lucky. 

Her body’s vessel holds a wildly joyous bouquet made up of a lightning bolt of energy, the moon mirroring the womb, her eye “seeing” you the stars and everything in the universe as entwined. The Okay gesture (NOT a reference to white power) says it is Okay to be a “lowly wild flower” a “wild” woman, I’m going to be Okay, and the determination that all women will prevail in the control of their own bodies. 

And it’s Okay to foment the wild notion of changing this system we are struggling to live under. A system that does harm to any life deemed in the way of profit. Evolution, is about adapting and changing. Let’s embrace the wild side and do that!

By |2024-03-29T10:05:22-07:00March 29th, 2024|ACGA News|Comments Off on Off Center 2024 – An International Ceramics Competition

Women’s Work Exhibition at the Pence Gallery

Women artists have long used humor and satire to critique the unequal treatment of women, in areas
from reproductive rights to their depiction in the media. Women’s Work is a sampling of contemporary
sculpture and paintings by thirteen artists who redefine gender and femininity through their art.

Exhibiting artists include ACGA member Linda S Fitz Gibbon and Chaitra Bangalore, Suzanne M. Long, Sue Bradford, Emma Luna, Shenny Cruces, Shonna McDaniels, Lisa Reinertson, lanna Nova Frisby, Nancy Selvin, Julianne Wallace Sterling, Shalene Valenzuela, and Amy Vidra.

Linda S Fitz Gibbon, Legs Up, 2023. 16″ x 11″ x 9″

By |2024-03-29T10:04:55-07:00March 29th, 2024|ACGA News|Comments Off on Women’s Work Exhibition at the Pence Gallery

Sustainability at Cobb Mountain Art & Ecology Project

Flame:

CMAEP hosts six to ten woodfire workshops annually. Abundant fuel sources along with lots of labor are key factors to maintaining these educational wood-firing experiences. Resident Artists work closely with Scott to manage wood harvesting, processing and assist with firing workshops.

Woodfire Resident Lucas Shick:

“It’s been so beautiful seeing the life cycle

and doing fire mitigation. I really enjoy the time

spent in the forest as a community collecting that wood and having a more intimate relationship with the fuel…”

Quantity of wood required varies depending on which kiln(s) are being fired. The largest kiln, the Anagama, is fired about twice a year. Those workshops include ten days of firing, and consume thirteen cords of hard and soft wood in the process.

Woodfire Resident Dexter Gardner:

“It gives me respect for people working

in the firewood trade. It is a lot of labor to source

all of your own wood for a 10 day firing.”

Workshops connect CMAEP to the larger regional ceramics community and foster a learning environment for workshop participants and Resident Artists.

Tending to burn pile of brush during ecology management work at CMAEP.

Embers:

All Resident Artists live on-site and working on the land at CMAEP offers a unique experience unlike any other ceramics residency experience.

Scott Parady:

“I hope that working with residents on the land

gives them experience and a greater appreciation

of what it can mean to steward a property.

For me it creates a great appreciation for the land

and human interaction with it, which has become

a guiding force in my artwork.”

The reasons artists might be drawn to spend time at CMAEP are varied and there are several residency formats including short and long term options.

Dexter Gardner:

“I saw it as a great opportunity to gain

more woodfire knowledge, and to focus on

developing work suited to woodfiring.”

By |2024-03-29T12:05:33-07:00March 11th, 2024|ACGA News|Comments Off on Sustainability at Cobb Mountain Art & Ecology Project

ACGA INTERVIEW: MALIA LANDIS

ACGA Where were you born and raised? Thinking back, would you say that art was part of your upbringing?

I was born and raised tromping through the hills of St. Helena, California and exploring the diverse terrain and warm waters of the Big Island of Hawaii.  While being creative was a huge part of my childhood, harvesting and collecting while being outdoors were what interested me most.  I loved to gather stones and acorns, sticks and moss, shells and flowers, and display them lovingly, each a cherished prize.  These collections were my own personal cabinets of curiosity that I cherished and marveled at, pondering the natural beauty of the world.  Now I find myself making these things out of clay, attempting to capture a fleeting moment or phase in time.

ACGA When did you start working with clay? Tell us a bit about your journey with your craft.

While having first experienced working with clay in high school, it was not until undergraduate school at Humboldt State University that I fell in love with ceramics.  I had started as a Botany major with an Art minor, but quickly found myself spending all my time at the ceramics studio fascinated with the possibilities of the medium.  I soon changed my major and began to really focus on developing several bodies of work, one being more production based and the other conceptual.  I enjoy this back and forth balance between a meditative reproduction alongside intense detail orientated sculpting. I continued to explore both bodies of work throughout graduate school at San Jose State University, where I discovered how to incorporate screen printing onto my ceramics wares.  I have continued to work as a full-time studio artist, now living in Mendocino County of Northern California, producing my screen printed utilitarian wares under my business name, Salt and Earth, while designing

and creating one of a kind porcelain paper clay sculptures

for private clients and gallery exhibitions.

ACGA Are there things about your techniques that are unique to your process?

My wheel thrown and handbuildt functional wares are all decorated with screen printed map design and then hand painted with gold luster.  I print and apply all of the mason stain screenprints myself, and love the imperfections translated throughout this process.  I use mid range Laguna Frost Porcelain for my paperclay floral and fauna sculptures, and fire to cone 7-8.

ACGA You have two distinct bodies of work. How do you balance the investigation for each and where to exhibit each?

While finding a seasonal exhibition rhythm can be different every year, I often work on both bodies of work simultaneously and love the back and forth each demands.  I like to teach workshops in the Spring focused on my porcelain paperclay botanicals, then shift gears to stock up for the Clay and Glass Festival in Palo Alto for the summer.  The Fall tends to be when I work mostly on groupings of works for my gallery exhibitions and commissions.  Currently in the day to day I am focused working on commissions, which has been very fun and rewarding.

ACGA Clay and glass are physically demanding disciplines. How do you maintain your health?

Besides the help of my personal trainers, my son Bodin (5) and daughter Stella (3) to keep me in shape, I make sure to take time to be in nature everyday.  If I am able to just escape for a short walk around our property or afford a long hike in the hills, being active in nature is still the driving force for inspiration in my work and helps me recalibrate when needed.  I also have found throwing on the wheel standing up has helped my lower back flare ups and I have a silly looking but very functional yoga ball chair at my studio desk.

ACGA Is there one person or event that significantly inspired you?

My source of inspiration naturally is based on home and place. I find so much wonder in the world around me and the uniqueness that is in the here and now, ever grateful for the opportunity to exist among it all.

ACGA What is one thing that would surprise us to know about you?

I am in a band!  We are called the Coyotes, and while only a few years together as a band, we eat together, all sleep under the same roof, and just can’t get enough of one another.  I usually am on some sort of percussion instrument, Bodin plays guitar, Stella loves to rock a keyboard and rattle simultaneously, and my husband, Wesley Wright, leads us all on his ukulele.

By |2024-03-10T18:45:30-07:00March 10th, 2024|ACGA News|Comments Off on ACGA INTERVIEW: MALIA LANDIS

The 6000 Circle Project

THE 6000 CIRCLE PROJECT
A Collaborative Exhibition Honoring the Divine Feminine

February 24 – April 6, 2024

Project Gallery at Arc Gallery
1246 Folsom Street, San Francisco, CA 94103
Curatorial Tour & Artist Discussion at Arc Project Gallery: Sunday, March 17, 1:30 – 3:30pm

In collaboration with The Calling (Artists Yasmin Lambie-Simpson, Chantelle Goldthwaite, and Sheila Metcalf-Tobin), everyone is invited to participate in the international art initiative, The 6000 Circle Project. The project focuses on the circle as a symbol of balance and unity, a never-ending container of feminine energy and light. The Calling envisions 6000 circles created by a multitude of artists from around the globe. Circles created by NCWCA members and the public will be exhibited in the Arc Project Gallery from February 24 through April 6, 2024. NCWCA is the first WCA chapter to kick off this global 2024 exhibition.

Artist Vicki Gunter at the opening reception with her piece: Mile 91- Buttercups @ Bampton- 165 to go!  
Clay, Underglaze, Stains, Glaze 18 x 18 x 3.5 inches.
My life-long friend, Carol invited me to join her on this amazing 256 mile adventure hiking coast to coast in Northern England. We did it in 2015!

By |2024-03-07T13:27:42-08:00March 7th, 2024|ACGA News|Comments Off on The 6000 Circle Project
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