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Narrative
There is an inherent paradox when working with so responsive a material as clay. Traces of touch - fingerprints, knuckle marks - are formed, moment by moment, with relentless fidelity. Such intimate contact of hand and clay remains far beyond the process, beyond even the life of the artist; it is a permanent record of human impermanence.
Current Work
Websites and Social Media
Upcoming Events
Anagama Head will be in The Color Network Family Album for NCECA’s 60th conference Volumes in Detroit, Michigan, March 25 - 28, Rm 415, Huntingdon Convention. Anagama is a wood-firing process from Japan, intensely collaborative, which is why I chose this piece for The Color Network exhibition about intergenerational mentorship between established and early-career ceramic artists of color. https://nceca.net/2026-volumes.
Saltmarsh will be in the 30 Ceramic Sculptors show, April-May in conjunction with the 2026 California Conference for the Advancement of Ceramic Art, Davis California https://natsoulas.com/about
General Info
Susannah
Israel
Address
United States
Studio Address
Phone Contact
Membership
Clay
General Member
Serving on the Board of Directors
Art writer
