ACGA News

EAST BAY OPEN STUDIOS: May 13+14, May 20+21, 11 am – 5 pm

East Bay Open Studios is almost here! Over 185 artists across the East Bay will open their studios to the public so you can discover art where it happens.

EBOS is an opportunity to connect to the fabulous artists who live in your cities and neighborhoods. Meet artists, see or purchase their artwork, and build community. The event is free and family-friendly.

EBOS is self-guided and you can visit as many studios as you want. You can use the map on our website to locate studios or download Vibemap to participate in a Treasure Hunt and win prizes. If you need help getting oriented, start at one of our Community Hubs or RSVP to our Opening Celebration and Exhibition at Uptown Station on Friday, May 12. We can’t wait to see you there!

East Bay Open Studios  https://eastbayopenstudios.com  @eastbayopenartstudios

East Bay Open Studios is a program of Oakland Art Murmur  www.oaklandartmurmur.org

By |2023-05-05T08:50:29-07:00May 5th, 2023|ACGA News|Comments Off on EAST BAY OPEN STUDIOS: May 13+14, May 20+21, 11 am – 5 pm

North Auburn Artists’ Studio Tour

The much-anticipated 25 th Anniversary North Auburn Artists’ Studio Tour will
be held Mother’s Day weekend, May 13 th &14 th . Twenty-one well-known North
Auburn artists will be showing their art at 14 different studios. The FREE tour
is open to the public on Saturday and Sunday from 10:00 AM until 5:00 PM.
There are sculptors, ceramic artists, painters, photographers, glass artisans,
wood workers, jewelry, textile and fiber artists on the tour. This is an
opportunity to watch the artists working in their studios and ask questions
about the medium they create in. This is an event that will interest and please
the whole family. You may also purchase and take-home original works of art,
cards or prints from the studios. An online tour guide is available at the
website www.northauburnartists.com

By |2023-05-05T08:49:51-07:00May 5th, 2023|ACGA News|Comments Off on North Auburn Artists’ Studio Tour

OFF CENTER 2023: An International Ceramic Art Competition

April marks the return of Off Center, Blue Line Arts’ annual Ceramic Art Competition, which draws top talent in contemporary ceramics from around the country and abroad. The exhibition will host work from 41 different artists working in a variety of styles, from functional studio pottery to imaginative installations.

Writer, curator, artist, educator, and self-described craft activist Garth Johnson served as this year’s juror. Here is a special note from the juror:

“As someone who is surrounded by the greatest works in the history of studio pottery at the Everson Museum in Syracuse, I’m astounded by the energy that is driving the field today. Community studios are having a hard time meeting the demands of a public that is increasingly turning to ceramics for solace and to transform their environments. The resulting show, Off Center, is truly that. It’s full of work that makes me curious and excited about what is to come.”

–Garth Johnson, Paul Phillips and Sharon Sullivan Curator of Ceramics at the Everson Museum of Art 

 

Congratulations to the ACGA members who juried into OFF CENTER 2023!

Mary Catherine Bassett: www.marycatherinebassett.com  @mcrathergather

Michele Collier: www.burningclay.blogspot.com  @burningclay 

Mari Emori: www.berkeleypotters.com  @emoriceramics

Vince Montague: www.vincemontague.com  @vincemontague   

Jan Schachter: www.janschachter.com  @janschachter

ONLINE SHOP

 

Exhibition Dates: April 8 – May 20, 2023

Alongside Off Center, you can also catch solo exhibitions in different mediums for Nina Temple, Robert Obier, and Brooke Aruffo.

Opening Reception: Saturday, April 15, 4–7 pm

Stop by to enjoy a live demo at 4 pm, with a reception to follow. Juried prize winners will be announced at 6 pm.

Blue Line Arts: 405 Vernon St #100, Roseville, CA 95678

Open Tuesday through Saturday from 11–5 pm or by appointment.  

  

Blue Line Arts is a regional cultural hub committed to fostering impactful arts experiences. Through exhibitions, educational programming, and public arts initiatives, we support a full creative life for all.

 

For more information, please visit www.BlueLineArts.org @bluelinearts

 

–Brooke Abrames, Blue Line Arts Co-Director

Brooke@bluelinearts.org

By |2023-04-07T14:54:40-07:00April 7th, 2023|ACGA News|Comments Off on OFF CENTER 2023: An International Ceramic Art Competition

Visions In Clay Call for Entries

Entry is open now through June 26, 2023

Exhibition Juror: Joan Takayama-Ogawa, Professor of Ceramics and Product Design, Otis College of Art & Design, Los Angeles, California

Gallery & Online Exhibition:  August 28 – September 21, 2023

Gallery Reception: August 31, 5:00-7:00p.m.

Gallery Awards $800 | $600 | $400

San Joaquin Potters Guild Founders Award ~ $300

Regional Artist Award $800

Entry Fees: $30 for 3 entries / $45 up to 6 entries

For the complete Prospectus Guidelines and to enter go to:

gallery.deltacollege.edu – Call for entries

By |2023-04-05T18:11:46-07:00April 5th, 2023|ACGA News|Comments Off on Visions In Clay Call for Entries

ACGA Board Meeting Minutes – March 13, 2023

Present: Mari Emori, April Zilber, Sally Jackson (recorder), Ren Lee, Emil Yanos, Vicki Gunter, Cheryl Costantini, Chris Johnson, Susie Rubenstein, Iver Hennig, Joe Battiato, Trudy Chiddix, Barbara Prodaniuk (Absent: Sonja Hinrichsen, Lee Middleman, Jan Schachter)

Guest: Julie Taber

The meeting commenced at 5:30 p.m.

Welcome (Mari)

Treasurer’s Report (April)

April introduced ACGA member Julie Taber, who will be taking over the position of Treasurer. Julie is a ceramic artist in Altadena, CA, and she has extensive experience as a bookkeeper for nonprofits. Thank you, Julie, and welcome!

Our total assets as of February 28th are $117,651. This has been boosted lately by booth fees received for the festival in July. Our 2022 tax information has been submitted to our CPA. We discussed the possibility of giving our members the option to pay a little extra when using PayPal to cover its processing fees.

Festival Report (April)

April reported that 98 artists have signed up for the 2023 Palo Alto Clay & Glass Festival in July. We discussed how to staff Clay-for-All in the courtyard, and how to ensure that the courtyard is properly cleaned up afterwards. We discussed having demos outside this year to attract more attention. We also discussed how to recognize new festival artists, how to select Best-in-Show artists, and how best to collect and enter contact information for those who sign up on our mailing list. The auditorium will be available possibly as a cool place for visitors to sit and eat. Messenger Events will try to address problems we had last year with unsecured fire extinguishers and rutted spots on the grounds.

Membership (Emil)

ACGA’s website feature “Artist of the Month” has thus far been populated by a small pool of members who have volunteered for the honor. When this feature was introduced, we expected more members to embrace the opportunity, but response has been sparse, leaving us with fewer choices. Some on the Board believe that only festival-eligible artists should be featured as Artist of the Month, whereas other Board members who actively exhibit, but do not plan to jury into the festival, would like the Artist of the Month to be chosen from a broader pool. We will continue discussions to resolve this issue in a future meeting.

“Meet-Your-Board-Member” in the Newsletter (Mari)

Mari has prepared a monthly calendar assigning each board member to provide a profile for the newsletter. This slot will be titled “Meet Your Board Member”. The profiles will be due on the 8th of each month.

Encouraging More Sign-ups for the Festival (Mari)

We discussed ways to regain some of the artists who were accepted in 2019 and 2020 for one-time-only festival eligibility. Some have since juried in as fully eligible, but others have not reapplied. It was proposed that the Board admit all of those one-time-only artists as fully eligible. Chris, Ren, and April will look into the artists’ original applications and festival participation for assessment.

Communications (Susie)

The Communications Committee is working to make our website more engaging and more financially viable. The Treasurer reminded the Board that it had budgeted $300 per month as a stipend for communications work. The Board approved initiating this monthly stipend for Ren, retroactive to January 2023. Ren will send invoices to April. Ren informed the board that it should allocate money to pay writers to write articles for the newsletter. She also requested that members submit more information for the calendar.

Managing Access (Mari)

Cheryl and Mari will talk about how to transfer Zoom meeting management to one person on the board. Sally will step up for this role. Later discussions should address access to all other ACGA accounts with logins.

Exhibitions (Sally & Vicki)

The Exhibitions Committee recently visited the gallery Curated by the Sea in Santa Cruz, and met with the owner, Melissa Kreisa. We will have a juried exhibition there in 2024, probably in the spring. This will be a clay and glass show open to ACGA members and to clay and glass artists residing in Santa Cruz County. Opening it to local artists is a good way to spread the word about ACGA. Those who visited included Jan Schachter, Sally Jackson, Chris Johnson, and Randi Silverstein (who was also the original contact). Iver Hennig has also been in consultation and has visited the gallery on his own.

Vicki Gunter reported that Arts Benicia is a promising space for an exhibition in Benicia. She is pursuing this opportunity with a letter of inquiry and will know more after March 22. In addition, a new gallery in Benicia called NY2CA may also provide a chance for ACGA artists to show their work.

The meeting adjourned at 7:10 p.m.

Next Meeting: 5:30 p.m., April 10, 2023 via Zoom

All Members are Welcome

By |2023-04-04T08:54:42-07:00April 4th, 2023|ACGA News|Comments Off on ACGA Board Meeting Minutes – March 13, 2023

Meet Your Board Members: Emil Yanos

I came into ceramics almost by accident.  Due to the recession in the early 90’s I was without a job and looking for an activity to fill my days.  I found Ruby’s Clay Studio on one of my neighborhood walks.  I signed up for a class and was hooked.  I took several more classes and began to experiment, working part-time, after work and on the weekends, mostly throwing and making functional work.  

I went into hand building after years of throwing because I developed Carpal Tunnel Syndrome from my day job.  With a new aesthetic and a new set of skills, my work eventually emerged into what is more intrinsically me, which is mostly rough with a few smooth edges.  On my second try, I was finally juried into the ACGA Clay and Glass Festival.  

Being part of ACGA raised my awareness to the possibilities of clay and glass.  I joined ACGA because I wanted another venue show my art.  I found that without ACGA, that venue and the opportunities that come with it wouldn’t be there, so I volunteered to help this organization provide what I was looking for.  I started as the Membership Coordinator and continue that role as a board member.

I still work out of Ruby’s Clay Studio, creating textured sculpture that is mainly hand built but sometimes thrown and have fully recovered from CTS.  I no longer have a day job, I have an activity to fill my days and some of my nights.

By |2023-04-04T08:55:16-07:00April 4th, 2023|ACGA News|Comments Off on Meet Your Board Members: Emil Yanos

Art & Ecology Online Gallery Show

Art & Ecology
juried by Obi Kaufmann
with poetry by Linda Martinez Robertson

March 20 to April 30, 2023

O’Hanlon Center for the Arts
https://www.ohanloncenter.org/2023/03/art-and-ecology/

Artists were invited to submit works that address the subject of Ecology including the topic of climate change and environmental resilience.

Featuring work by ACGA artists Vicki Gunter and Emil Yanos

Vicki Gunter Sky Blues — Canary & Elephant Series – 2014

clay, glazes, antique bailing wire, steel plate, Magnets 

24 x 31 x 5 inches

Sky Blues represents the air all life breathes, and a few of the endangered animals that live in the California skies: the CA Condor, Bay Checkerspot, Smith Blue and Monarch butterfly with bejeweled chrysalis. I was in awe of the Monarch chrysalis as a child. How does it paint that gold on there?

The cautionary yellow Canary alerts us of the Elephants in the room: Loss of habitat, Roundup® = less milkweed = fewer monarchs.  A Lead bullet; Condors are dying from lead poisoning due to eating abandoned game, But, celebrate a bit! As of 2019, all ammunition must be 100% lead free in California.  It’s still a problem so, If you are a hunter beware of your ammunition please. 

Smoke stacks represent air pollution from numerous sources, causing asthma in our children, especially those of color and lower incomes.  

Yes, it’s a complicated puzzle.

Will we choose a profit-driven-system of over-consumption or the awe of the Monarch chrysalis?

Emil Yanos
Cling
13h x 13w x 4d inches
Stoneware, glazes, engobes

My work is an examination of texture.  Each piece plays with contrasting surfaces:  rough verses smooth; matte verses shiny; large-scale verses small-scale, adding visual depth and tactile interest.  Textures, drawn from the natural world—such as seed pods, barnacles, and rocky outcroppings.  They are an invitation to touch.  As you run your hands over, the sensation is a reminder of a place you once enjoyed.

Cling is reminiscent of the tide pools I was intrigued with growing up in Hawaii.  These depressions in the rocks captured creatures, and pebbles, and shells as the waves crashed over them.  We are now clinging to our land as the sea levels rise we as are caught between land to live and land to grow food.

By |2023-04-04T08:51:59-07:00April 4th, 2023|ACGA News|Comments Off on Art & Ecology Online Gallery Show

Open Studio

Jan Schachter will be hosting 5 artists for her open Studio on May 6-7 in her garden at 190 Golden Hills Drive, Portola Valley CA 94028 10am-5 pm

Sally Jackson, Jane Peterman, Lindsay Marx, Peggy Forman, and Nina Else.

We will also have a table of donated work that will be sold to benefit CERF+

By |2023-03-27T15:47:14-07:00March 27th, 2023|ACGA News|Comments Off on Open Studio

New Soda Kiln at Stanford

by Sally Jackson

One bright spot in February’s gray weather was the completion of a soda kiln in the courtyard of Stanford University’s Product Realization Lab (PRL). Spearheaded by Applied Physics professor and ceramic artist Hideo Mabuchi, and funded by the new cross-disciplinary initiative Making@Stanford (https://making.stanford.edu), the kiln will enable more students to work with clay and more Stanford faculty to incorporate ceramics into their classes. These new opportunities will be organized around courses, workshops, and maker/artist residencies. One of the main goals is to connect ceramics, with its traditions and material culture, with contemporary engineering and materials science as well as computer science, art practice, and the performing arts.

Construction was led by kiln-builder Ted Neal, who is also a faculty member in ceramics at Ball State University in Indiana. I was among several helpers who jumped on board to help. The project involved a lot of steel L-angle, many pallets of bricks, mortar, a MIG welding rig, and a couple of serious power saws. After Ted welded a low, table-like metal frame, we stacked hard and soft bricks to create the floor, walls, chimney, and ceiling arch. Ted then reinforced the kiln with a metal frame and added a hinged door. As final steps we insulated the top of the kiln chamber and mounted a metal roof overhead. Having never built a kiln before, I gained huge appreciation for the precision, expertise, and teamwork that such a project involves. And I truly enjoyed working with Ted, Hedeo, and helpers Christopher Watt and Nicholas Robles. Craig Milroy, Co-Director of the PRL, provided invaluable logistical support throughout the project.

Ceramics are popular with Stanford students, but studio space is limited. The Making@Stanford initiative will connect a wider community of makers and mentors throughout campus. Hideo, for example, co-teaches a class called Japanese Functional Objects, which combines woodworking, ceramics, readings, and lectures to introduce students to the tools and traditions associated with the Japanese tea ceremony. He looks forward to firing work in the soda kiln for this course and many others.  For more photos of the construction, visit https://making.stanford.edu/pilot/kiln.

By |2023-03-15T18:45:12-07:00March 13th, 2023|ACGA News|Comments Off on New Soda Kiln at Stanford

Cracked Pot, Memoir by Vince Montague: Highlights of Book Tour

Cracked Pot by Vince Montague

When Vince Montague’s wife perishes in a tragic car accident, he is plunged into a world of grief. After weeks of loneliness and despair, he begins to explore his wife’s pottery studio in the wild hills of Northern California, teaching himself to mix clay, throw a pot, fire a kiln, trim and glaze. Just as his grief is ebbing and his future in clay is looking bright, a wildfire advances upon his studio and threatens to destroy everything he has created.

Cracked Pot is a singular book: a story of love lost and the labyrinthine path through grief, a meditation on the craft of pottery and its power to inspire and restore; a rumination on the life of a writer and the refuge of words; an examination of how generational family trauma can shape an artist. Montague’s haunting memoir is a kaleidoscopic and redemptive reading experience, one that serves to remind its readers about the cracks and the light.

Praise for Cracked Pot

Cracked Pot is a soul-baring memoir of love, creativity, loss, grief, and creativity again. Sentence by beautifully wrought, thoughtful sentence, Vince Montague narrates the premature death of his wife, Julia, and how he was able to rebuild his life by way of the clay and kilns and inspiration she left behind for him.” — Benjamen Dreyer, New York Times bestselling author of Dreyer’s English

“Vince Montague’s Cracked Pot is a wondrous memoir of personal reinvention and the transformative power of art….This volume, like finely wrought ceramics, is something beautiful you can hold in hand and treasure always.” — Roy Parvin, author of In the Show Forest and The Lonelist Road in America

Cracked Pot resonates with its multiple meanings and meditates on love and death from title to the last word. This is raw life, raw materials, raw feelings, salvaged by the silken slip of clay, the discovery of thinking with your hands.” — Maw Shein Win, author of Storage Unit for the Spirit House

Event Schedule

03/23  Books Inc, Berkeley, 1491 Shattuck at 6pm. I’ll be in conversation with Nancy Servis.
03/25  Red Brick Ceramics, 2111 Mission Street, 3rd Floor, 5pm.  I’ll be in conversation with poet Maw Shein Win
04/06  Sonoma Readers’ Bookstore, 130 E Napa Street, Sonoma, CA  I”ll be in conversation with Kala Stein
Also
2 Artist Demonstrations
03/25  Red Brick Ceramics 2111 Mission Street, 3rd Floor, 12-2pm.
04/06  Sonoma Community Center, 276 E Napa Street, Sonoma, CA. (time TBA)
By |2023-03-11T15:01:33-08:00March 11th, 2023|ACGA News|Comments Off on Cracked Pot, Memoir by Vince Montague: Highlights of Book Tour

Terra Linda Ceramic Artists presents ARTICULATION-The art of playing with form

The Terra Linda Ceramic Artists present it Member’s show, ARTICULATION- The art of playing with form, which includes ACGA members, Jo Clarke, Geraldine GaNun, Susan Hontalas, Nadia Tarzi-Saccardi and Melissa Woodburn.  The exhibit is hosted by Falkirk Cultural Center, 1408 Mission Ave., San Rafael from March 10th-April 21, 2023 with an opening reception/art walk on March 10th from 5-8pm.   For additional information and hours at Falkirk Cultural Center, contact them at www.falkirkculturalcenter.org or terralindaceramicartists.com

By |2023-03-11T15:03:30-08:00March 11th, 2023|ACGA News|Comments Off on Terra Linda Ceramic Artists presents ARTICULATION-The art of playing with form

MoonDoBang California Tour Has Folks Fired Up

Instagram sensation, MoonDoBang creator Mr. Moon, Byung Sik, will make his first visit to the US with a tour of California and a stopover in Helena, Montana.

At the age of 16, Moon Byung Sik fell in love with clay. He had passion, but the skills didn’t come easily. It took him 10 times longer to finish a pot than some of his peers, but with perseverance and practice, he began to win skills competitions.

Post college, at 26, Moon started a studio practice inside his father’s barn with the idea that he would make pots he likes to make and—he reasoned—people would buy them. He soon discovered that what he wanted to make was not what customers wanted to buy. Competing for buyers with other potters who had 20, 30, or 40 years of experience was challenging.

As he reflects on his path today, starting at a young age was his best decision. He made mistakes and had failures due to his lack of experience, but he says that he was able to put aside his failures more easily and continue moving forward because he had less to lose.

17 years after he first sat at a pottery wheel, Moon operates a professional workshop where he produces his porcelain products and sells them from his gallery and shop in Yeoju, South Korea. He ships worldwide from his website www.moondobang.com Follow him on Instagram @moondobang

MoonDoBang : US Tour : How it all started

In November 2022, I had a chance to take a virtual pottery class with the Korean artist, Moon Byung Sik of MoonDoBang, hosted by Kala Stein. I casually mentioned that I would like to host a workshop for him in San Francisco.

Start: November 2022

Kala Stein and Joanne Lee, host and translator for Moon for the virtual workshop, set up a meeting to explore the possibility of Moon visiting the US, more specifically San Francisco and the Bay Area. He agreed to 10 days, which grew to 14 days. Then we decided to visit his friend, Adam Field in Helena, Montana,… who mentioned that he had contacts in LA and that if we were to extend and expand the tour, wouldn’t that be wonderful?

Plan : MoonDoBang US Tour: 2023

By mid December, I had commitments from 11 venues and most days were filled, with workshops scheduled from Petaluma down to San Diego, and Helena, Montana. Round-trip air from Seoul, Korea was purchased.

By the second week in January, scheduling was completed for Moon on his first visit to the US with a 24-day, 14-venue, 13-city, 2-state, west coast tour that includes demos, workshops, and an Instagram live feed.

In February, the last venue committed and a brainstorm led to the Virtual Demo with Moon and Adam Field from Helena, Montana, to be hosted by Kala Stein.

Show Time : MoonDoBang US Tour : 2023 

Moon lands in 6 days. 10 boxes of MoonDoBang porcelain pots have arrived. 150 Posters have been printed. 100 T-shirts have been ordered. His room is made.

Most venues have sold out all the seats, some within 5 minutes of opening registration publicly—some selling out only to members. Success can be attributed to Moon’s 97K Instagram followers, help from Adam Field with his 117K followers and mailing list, and the Instagram following of the 15 participating venues. Yes, the power of social media can be measured.

If you haven’t reserved seats yet, try Laney College: https://laney.edu/art/

Additional information is on the tour page on my website, mikisr.comhttp://www.mikisr.com/moondobangtour,

Registration for the Virtual Demo with Adam Field is open. Registration can be found at KalaStein.com:  https://kalastein.thinkific.com/

When asked about what he would like to see and do while on his first visit to the US, he said, “eat a hot dog, see the Golden Gate Bridge, and go to a baseball game.” We have tickets to the Oakland A’s opener on March 30th, where Shohei Ohtani will be starting for the Angels. Kala is hosting a dinner and hot dogs are on the menu. And I’m sure we will cross the Golden Gate Bridge at least once.

Follow me on Instagram for more stories. @mikisr_ceramics

By |2023-03-11T15:11:08-08:00March 11th, 2023|ACGA News|Comments Off on MoonDoBang California Tour Has Folks Fired Up

Visiting Artist : MoonDoBang

I had a chance to take a virtual pottery class with the Korean artist, Moon Byung Sik of MoonDoBang, hosted by Kala Stein, last Fall. I casually mentioned that I would like to host a workshop for him in San Francisco.

Fast forward to March 2023. I am hosting Mr. Moon on his first visit to US with a 24 day, 15 venue, 13 city, west coast tour that includes demos workshops, instagram live  and virtual demo with Adam Field from Helena Montana

Most venues have sold out, but you might be able to get a demo seat at Laney College and AOMCA in Pomona. Additional information is on the tour page on my website: www.mikisr.com/moondobangtour

By |2023-03-11T15:12:30-08:00March 10th, 2023|ACGA News|Comments Off on Visiting Artist : MoonDoBang

Grand Opening and Reception . NY2CA New Gallery . Vicki Gunter 1st invited artist

Exciting News:

There is a new Gallery in Benicia!

NY2CA
and I am the 1st artist invited to collaborate with them!

You are invited too!
Grand Opening Reception

🌱 Earth Day 🌱
I will be collaborating with Greenpeace 🌱

Saturday April 22, 2023 . 3-6pm

🌱 Meet Co-owners Twigg and Vickie & me, the other Vicki!

show dates: April 20-June 4, 2023
Gallery hours: Thursday – Sunday 11-6
617 1st St, Benicia CA 94510

By |2023-03-13T17:06:35-07:00March 9th, 2023|ACGA News|Comments Off on Grand Opening and Reception . NY2CA New Gallery . Vicki Gunter 1st invited artist

Meet Your Board Member: Sally Jackson

I started working with clay seriously after moving to California eight years ago. Before that I lived in North Carolina, where we raised our sons and kept dairy goats. I’ve always had my hands in some kind of craft – carpentry, quilting, gardening, cheesemaking – but clay has taken over in recent years. I use wheel-throwing and hand-building to make sculptural and functional pieces. Whenever possible, I use clays and glaze materials that I gather locally. My work is fired in electric and wood-burning kilns.

Through clay, I’ve found strong communities in ACGA and the Palo Alto Art Center. I’ve been ACGA’s secretary since 2018, I serve on the Festival Committee as liaison with community groups, and I also help with exhibitions. Outside of ACGA, I’ve volunteered in our nearby high school’s ceramics program, and during the pandemic I organized neighbors to create clay totems that are now displayed on our street.

The pieces shown here came about as I pondered how we connect with the world outside of normal social exchanges. For me, books have always been both an escape and a way to hear other people’s thoughts and voices. Firing ceramic books becomes a metaphor for how powerful and resilient those words and voices can be. Likewise, I spend a lot of time outdoors studying the natural world, particularly birds. Influenced by my gig leading bird surveys at a local preserve, I find making birds in clay to be a kind of reassurance. I like the layers of resilience that exist in the finished work: there is the resilience of Nature itself, there is the resilience of clay when it’s been fired, and lastly, there are the seemingly ancient surfaces from the wood-firing that conjure wisdom of the deep past.

By |2023-03-11T15:15:16-08:00March 4th, 2023|ACGA News|Comments Off on Meet Your Board Member: Sally Jackson

ACGA Board Meeting Minutes: February 13, 2023

Present: Mari Emori (President), April Zilber (Treasurer), Sally Jackson (Secretary), Chris Johnson, Susie Rubenstein, Iver Hennig, Vicki Gunter, Barbara Prodaniuk, Emil Yanos, Joe Battiato, Lee Middleman, Cheryl Costantini, Trudy Chiddix, Ren Lee, Jan Schachter

Absent: Sonja Hinrichsen

The meeting commenced at 5:30 p.m.

Welcome (Mari)

Our new president, Mari Emori, welcomed everyone and proposed that board members each take a turn writing a short introductory statement to open our monthly newsletter. This makes us more visible to the members and gains recognition and credit for the work we do.

Treasurer’s Report (April)

As of January 31, 2023, our total assets were $96,300. The board voted unanimously in favor of increasing the monthly fee for Pam Carpenter’s services as our website manager, retroactive to include January 2023.

Festival Update (April)

Our festival event manager, Annie Hermes of Messenger Events, has sent out the application for the 2023 Clay and Glass Festival in July. The deadline is in four weeks. Participating board members will have the opportunity to request preferred booth locations. Table rental will increase to $20 per table this year. April is in the process of organizing this year’s Festival Committee, ideally comprised of 6-7 artists and including some non-board members.

Board Committee Assignments

   Festival Committee: April Zilber (Festival Liason), Joe Battiato, Sally Jackson, Barbara Prodaniuk, Cheryl Costantini, Lee Middleman (and others, to be added).

   Exhibitions Committee: Jan Schachter, Vicki Gunter, Iver Hennig, Sally Jackson

   Communications Committee: Ren Lee, Susie Rubenstein, Cheryl Costantini

 

Board of Directors Directory (Mari)

Mari has compiled a directory in a Google Doc for internal use by the board. This will make it easier to communicate among ourselves.

ACGA Board Timeline Proposal (Mari)

Mari has updated a timeline prepared by Lee to track the board’s tasks by month. This timeline is meant to be a template for each year, not specific to a particular year. It will help especially with tasks that have set deadlines. Consistent deadlines (e.g., newsletter copy due on the same date each month) will make communications and announcements easier.

Review of the Annual All-Member Meeting (Lee)

Our All-Member meeting in January included about 30 attendees. The pace was good and followed the agenda well. Some members gathered in one place and Zoomed in as a group, which they followed with a potluck lunch and sharing of work. The exhibitions discussion was lively, and the communications segment provided a good opportunity for members to understand how to use our social media, our website, and our newsletter. The short studio tours were a great way to bring people into each other’s workspaces. It might be good to record more short videos like these and post them on our website and on our social media.

The All-Member meeting should be publicized much earlier next year to increase attendance. Encouraging members to gather in smaller groups for Zooming and potlucks would also be good. Lee suggested that future all-member meetings include less business; we need to find the balance between delivering information and engaging our members in discussions. He recommends one simple summary of our financial information rather than spreadsheets. A short board meeting before the All-Member meeting will enable us to test the online set-up ahead of time.

Membership Update & Artist of the Month (Emil)

We discussed the intricacies of tracking how festival-eligible artists who forget to renew their membership (or delay it) will be included in mailings about the festival each January/February. We also discussed how to select the Artist-of-the-Month for our website. Choosing only festival-eligible artists does not represent our membership, nor does it encourage emerging artists whose work is still developing.

Jury Update and Question (Chris)

Chris is working on jury assignments for the March jurying. He is trying to recruit more glass artists to apply. He pointed out that a number of excellent glass artists make Cannabis-related paraphernalia, and that the board should consider how this work would fit into the festival.

Exhibitions Update (Jan)

Jan received good leads for exhibition venues at the All-Member meeting in January. In the coming weeks she will pursue an opportunity for a juried show at a gallery in Santa Cruz. Each location is unique and requires very specific planning. ACGA exhibitions are open to all members. Most are juried. Occasionally we have shows that are open to other California clay and glass artists.

The meeting adjourned at 7:25 pm.

Date of Next Meeting: March 13, 2023, at 5:30 pm via Zoom

By |2023-03-15T16:09:28-07:00March 4th, 2023|ACGA News|Comments Off on ACGA Board Meeting Minutes: February 13, 2023

ACGA All-Member Meeting Minutes: January 2023

ACGA All-Member Meeting Minutes

10 a.m. – 12 noon, January 28, 2023 via Zoom

 Present: Cheryl Costantini, Mari Emori, April Zilber, Sally Jackson (recorder), Susie Rubenstein, Ren Lee, Lee Middleman, Trudy Chiddix, Jan Schachter, Joe Battiato, Chris Johnson, Emil Yanos, Sonja Hinrichsen, Vicki Gunther, Iver Hennig, Barbara Prodaniuk

I. Welcome (Cheryl Costantini, Outgoing President)

Cheryl welcomed everyone and said that it has been an honor to serve as ACGA’s president for the past four years. Her goals as president were to make the organization more relevant to a wider array of clay and glass artists, particularly younger artists; to eliminate the hierarchy of exhibiting and associate members in favor of one general membership category; and to improve ACGA’s means of communication through its newsletter, social media, and email. The Board is grateful for all Cheryl’s hard work in realizing these goals. Thank you, Cheryl!

II. Announce election results and elect officers

We received 77 ballots in this year’s election. Three of our incumbent board members were reelected for another two-year term: Mari Emori, Emil Yanos, and Joe Battiato. Four new board members were also elected: Barbara Prodaniuk, Iver Hennig, Vicki Gunther, and Sonja Hinrichsen. Welcome, new board members!

The Board elected the following officers:

President: Mari Emori

Vice-President: (vacant)

Treasurer: April Zilber

Secretary: Sally Jackson

III. New President’s Message (Mari Emori)

Mari has been a member of ACGA since 2018 and has served on the Board since 2021. Her studio is part of the Berkeley Potter’s Guild. She is looking forward to serving as our new president.

IV. Introduction of New Board Members

Barbara, Sonja, Iver, and Vicki gave short introductions of their work and their involvement with ACGA.

V. Communications Committee (Ren Lee)

There are important new ways for members to communicate now:

  1. ACGA’s GoogleGroup: All ACGA members are encouraged to use our GoogleGroup. The address is <the-acga@googlegroups.com>. Any information sent to this address will immediately be emailed to all members who are enrolled in the group. Emil or April will enroll new members when they pay their dues. This is an excellent way to post last-minute announcements, equipment sales, or anything else of clay and glass interest to our members.
  2. Instagram & Facebook: When you post on these social media platforms, tag the ACGA (@theacga) and it will be reposted on ACGA’s feed.
  3. Website: There are now two new menu items under “For Members” on the ACGA website (https://acga.net/):
    1. Submit an Event to the ACGA Calendar allows you to put events on a master calendar that can be viewed by other members and the public. This is a good way to publicize your sales, workshops, open studios, and so on. Be sure to include your full name in the TITLE, and submit the full address of your event.
    2. Submit a Post to the ACGA News allows you to enter information that will appear in the monthly newsletter. These posts can be announcements, articles, notices of awards or recognition, etc. Your full name must be in the post title. Please submit well ahead of the 10th of each month in order to be included in that month’s newsletter. The newsletter goes out to our members as well as our mailing list of 6000+ names. It is a great way to get information out.

VI. Membership (Emil Yanos)

            Renewals should have ended on December 31, but there were some glitches this year that kept some from renewing. At this time we have 270 members. Quite a few of our older members have opted not to renew. Emil is also working on integrating how new members become part of the GoogleGroup and MailChimp, and how non-renewing members get taken off. Discussion focused on how to attract and keep members. Some attendees feel that glass gets marginalized because clay artists outnumber glass artists.

 VII. Treasurer’s Report (April Zilber)

            Our total assets at the beginning of the year were $95,000. Our net income for 2022 was $4000. In 2023 we estimate a net income of $2300 unless our administrative expenses increase. April has served as Treasurer for over 20 years and would like to step down. She will offer training to anyone who can replace her. This job pays $300 monthly.

 VIII. Festival Update (April Zilber)

Festival applications will go out to festival-eligible artists soon. Artists who become festival-eligible in the next jury in March will not have to pay late fees. April is looking for more non-board members to serve on the Festival Committee. We will not have the Artist’s Showcase this year, but Barbara Prodaniuk proposed some way to recognize outstanding work, such as Best-in-Show ribbons for both clay and glass.   We will probably be able to have the Artist Party in the Sculpture Garden. Clay-for-All is under negotiation.                        

IX. Call for Festival Demo Artists: Joe Battiato

If you would like to present a demo at this year’s festival, please contact Joe (battiatoart@yahoo.com).

 X. Jury (Chris Johnson)

The next jurying deadline will be in early March. Chris has worked tirelessly to create an improved protocol for online jurying, which is quite different from live jurying. Please contact Chris if you would like to serve on the upcoming jury (chris@chrisjohnsonglass.com).

XI. Exhibitions

  1. NCECA 2022

            Gallery Expo: In March 2022, Sacramento hosted the NCECA Conference “Fertile Ground”. ACGA was chosen among many applicants to be part of the onsite Gallery Expo. Mari Emori organized our sales booth at the conference featuring 16 ACGA artists. Attendance was excellent and total sales were almost $19,000. Everyone who contributed time and work to this project is much appreciated!

            In Hand, By Hand: Jan Schachter and Sally Jackson organized an ACGA sale that took place just before and after NCECA as part of the East Bay Clay Routes Tour. Potter Mary Law juried 13 ACGA clay artists who showed their work in a beautiful space donated to us by Brushstrokes Studio in Berkeley. Attendance was good but sales were slow.

            Seismic State: California Ceramics: Jan and Sally also organized a full-scale exhibition at the Sparrow Gallery in Sacramento during NCECA. Juror Beth Ann Gerstein (Executive Director, American Museum of Ceramic Art) invited eight artists and chose work by 34 more from more than 200 applicants. Cynthia Lou, owner of the gallery provided huge support and expertise in mounting the show. Attendance was very good.

2. Exhibitions future: We definitely need to expand our exhibition opportunities now that pandemic restrictions are lifting. Jan is always looking for new suggestions, so please contact her if you know of a space that is available (janschachter@gmail.com).

The meeting adjourned at 12:15 pm.

 Next meeting: Monday, February 13, 5:30 pm via Zoom

By |2023-02-10T09:52:23-08:00February 9th, 2023|ACGA News|Comments Off on ACGA All-Member Meeting Minutes: January 2023

Grant awarded for Musical Glass Project

April Zilber is excited to have received a Develop Grant from Arts Council Santa Cruz County. The grant will help pay for cold working equipment essential for fine-tuning the glass bell plates I design and fuse.

“The musical pitch or frequency of a bell plate is dependent on the dimensions of the bell plate. While empirical calculations are useful for predicting the size needed to create a particular frequency, I need to grind the edges on a flat lapping wheel with a series of diamond grit disks in order to reach the exact frequency. I’ve learned a lot from making and tuning square and rectangular bell plates and look forward to exploring several types of triangle.”  –April Zilber

By |2023-02-09T16:59:03-08:00February 9th, 2023|ACGA News|Comments Off on Grant awarded for Musical Glass Project

New ACGA Board Member: Vicki Gunter

ACGA Board of Directors - Vicki Gunter

Vicki Gunter is a Bay Area native whose home and ceramic studio are located in East Oakland.

“My first teacher in ceramics was Clayton Bailey in 1968 at DVC, but most of my adult life was as a professional dancer/teacher/motion therapist. In those years I attended ACGA shows and dreamed of being in one someday. My first official submission as a ceramic artist was as a new ACGA member to Santa Cruz Museum of Art & History MAH in 2010. I was 60 years old. I won the People’s Choice Award. My dreams came true! I feel I owe a lot to ACGA and would be proud to be a board member.”

www.vickigunter.com@vickigunter

By |2023-02-09T16:54:03-08:00February 8th, 2023|ACGA News|Comments Off on New ACGA Board Member: Vicki Gunter

New ACGA Board Member: Sonja Hinrickson

By |2023-02-08T13:00:48-08:00February 8th, 2023|ACGA News|Comments Off on New ACGA Board Member: Sonja Hinrickson
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