ACGA Board Meeting Minutes: February 13, 2023
Present: Mari Emori (President), April Zilber (Treasurer), Sally Jackson (Secretary), Chris Johnson, Susie Rubenstein, Iver Hennig, Vicki Gunter, Barbara Prodaniuk, Emil Yanos, Joe Battiato, Lee Middleman, Cheryl Costantini, Trudy Chiddix, Ren Lee, Jan Schachter
Absent: Sonja Hinrichsen
The meeting commenced at 5:30 p.m.
Welcome (Mari)
Our new president, Mari Emori, welcomed everyone and proposed that board members each take a turn writing a short introductory statement to open our monthly newsletter. This makes us more visible to the members and gains recognition and credit for the work we do.
Treasurer’s Report (April)
As of January 31, 2023, our total assets were $96,300. The board voted unanimously in favor of increasing the monthly fee for Pam Carpenter’s services as our website manager, retroactive to include January 2023.
Festival Update (April)
Our festival event manager, Annie Hermes of Messenger Events, has sent out the application for the 2023 Clay and Glass Festival in July. The deadline is in four weeks. Participating board members will have the opportunity to request preferred booth locations. Table rental will increase to $20 per table this year. April is in the process of organizing this year’s Festival Committee, ideally comprised of 6-7 artists and including some non-board members.
Board Committee Assignments
Festival Committee: April Zilber (Festival Liason), Joe Battiato, Sally Jackson, Barbara Prodaniuk, Cheryl Costantini, Lee Middleman (and others, to be added).
Exhibitions Committee: Jan Schachter, Vicki Gunter, Iver Hennig, Sally Jackson
Communications Committee: Ren Lee, Susie Rubenstein, Cheryl Costantini
Board of Directors Directory (Mari)
Mari has compiled a directory in a Google Doc for internal use by the board. This will make it easier to communicate among ourselves.
ACGA Board Timeline Proposal (Mari)
Mari has updated a timeline prepared by Lee to track the board’s tasks by month. This timeline is meant to be a template for each year, not specific to a particular year. It will help especially with tasks that have set deadlines. Consistent deadlines (e.g., newsletter copy due on the same date each month) will make communications and announcements easier.
Review of the Annual All-Member Meeting (Lee)
Our All-Member meeting in January included about 30 attendees. The pace was good and followed the agenda well. Some members gathered in one place and Zoomed in as a group, which they followed with a potluck lunch and sharing of work. The exhibitions discussion was lively, and the communications segment provided a good opportunity for members to understand how to use our social media, our website, and our newsletter. The short studio tours were a great way to bring people into each other’s workspaces. It might be good to record more short videos like these and post them on our website and on our social media.
The All-Member meeting should be publicized much earlier next year to increase attendance. Encouraging members to gather in smaller groups for Zooming and potlucks would also be good. Lee suggested that future all-member meetings include less business; we need to find the balance between delivering information and engaging our members in discussions. He recommends one simple summary of our financial information rather than spreadsheets. A short board meeting before the All-Member meeting will enable us to test the online set-up ahead of time.
Membership Update & Artist of the Month (Emil)
We discussed the intricacies of tracking how festival-eligible artists who forget to renew their membership (or delay it) will be included in mailings about the festival each January/February. We also discussed how to select the Artist-of-the-Month for our website. Choosing only festival-eligible artists does not represent our membership, nor does it encourage emerging artists whose work is still developing.
Jury Update and Question (Chris)
Chris is working on jury assignments for the March jurying. He is trying to recruit more glass artists to apply. He pointed out that a number of excellent glass artists make Cannabis-related paraphernalia, and that the board should consider how this work would fit into the festival.
Exhibitions Update (Jan)
Jan received good leads for exhibition venues at the All-Member meeting in January. In the coming weeks she will pursue an opportunity for a juried show at a gallery in Santa Cruz. Each location is unique and requires very specific planning. ACGA exhibitions are open to all members. Most are juried. Occasionally we have shows that are open to other California clay and glass artists.
The meeting adjourned at 7:25 pm.
Date of Next Meeting: March 13, 2023, at 5:30 pm via Zoom

President’s Message from Mari Emori
As we move forward, I am committed to continuing Cheryl’s work of making ACGA a more inclusive and welcoming community. This year, a new group of individuals brings their enthusiasm and ideas to ACGA leadership. My goals are to reach out to younger artists and expand ACGA outside the San Francisco Bay Area to ensure the growth and success of our community. I am eager to work with all of you in the coming year to build on the achievements of the past and to continue our mission of promoting and supporting the work of clay and glass artists of California.



Clay and Glass Festival at the Palo Alto Art Center
Members who want to share upcoming news, events, milestones, studio equipment for sale, shows, awards, and other craft-related items with our audience of fellow artists and collectors can now fill out a few lines on our website and get posted to our online calendar of events or our news page.
This cup is made entirely of clay into faux granite. The blueberry stems and handle are hand-worked wire. The plinth is an actual granite stone.
2868 Mission Street, San Francisco











Since joining the board in 2017, my goal has been to make ACGA a more equitable, accessible and relevant organization that better serves the needs and offers more value to our varied membership. We started with community meet ups, then Covid hit and those morphed to zoom gatherings.We changed the membership structure removing hierarchical labels that left some feeling lesser than. We tried several online sales, which worked well for many. We had many excellent exhibitions and we participated in NECEA for the first time, which was a grand success.
A new communications model for reaching more of our audience, in a more timelyway, has been launched after a year of research, development, and implementation.Members who want to share upcoming news, events, milestones, studio equipmentfor sale, shows, awards, and other craft-related items with our audience of fellowartists and collectors can now fi ll out a few lines on our website and get posted to ouronline calendar of events or our news page.
Mari Emori ‘s sculpture titled “Barren” was chosen for the 2023 ICAN (InternationalCeramic Artists Network) Wall Calendar, ColorBurst Collection
Bev Zerbib-Berda is pleased to announce two recent awards: a development grant by the Arts Council of Santa Cruz County and honorable mention in the 3rd Annual ICAN Holiday Cup Show.
Na Lisha was an emeritus Professor, excellent sculptor, international recognized artist, good friend to many artists. A number of ACGA members met Na Lisha at a ceramics festival in Beijing or when she visited California in 2016.
